Hailing from Denver, Colorado, Primitive Man pummel listeners with their unhinged take on sludge-ridden doom metal. Since their founding in 2012, they have continued to push genre boundaries. Primitive Man take the typical funeral stomp of doom metal and incorporate layers of squelching feedback and and blasts of furious chaos. This creates an unparalleled sense of raw, unburdened power. 

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This February 27, Austin, Texas’ death metal juggernaut Mammoth Grinder will bring their ferocious brand of mayhem to The Rock Room in Polish Hill. Supporting their powerful, boundary-pushing new album, Cosmic Crypt, (Relapse Records), their set is sure to pummel and impress. Coming four years after Mammoth Grinder’s last album, Cosmic Crypt finds the band a it’s most chaotic and intense, without sacrificing any of the razor sharp song-writing they’ve displayed since forming in 2006.  

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February is always filled with love and amazing stories of couples coming together. JST FRNDS is no different as they make their debut in February with the single “All Night Long”. JST FRNDS is the duo of Callie Dixon and Gabe Neal. JST FRNDS is electro-pop; which comes from recent influences and the power-couples own style.

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This April, from Austin, Texas, the experimental electronic hardcore duo Street Sects made their Pittsburgh debut at the Roboto Project in Garfield. They gave a performance as intense and impassioned as the work on their jarring first record, End Position (The Flenser - 2016). An amalgam of razor sharp industrial beats, samples, and buzzsaw vocals, fired upon the listener at a relentless barrage of fury, Street Sects exhaust the listener in a challenging, but endlessly satisfying way. The unique abrasiveness of their sounds has not kept fans or critics away, as Street Sects found themselves one of Rolling Stone’s “10 Bands to Watch” in 2016, and are now into their third national tour.

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Green Day

If you’re not aware, Green Day was in town on March 25th.  When they announced their tour dates – and a stop in Pittsburgh, my sister thought it would be a great birthday present for me (granted a birthday present I would need to redeem a few months after the fact).  Summed up?  The show was as good as I expected it to be. 

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Monthly Music Review

Mandolin Orange - Such Jubilee; Yep Roc Records

The North Carolinian duo Mandolin Orange released Such Jubilee back in May, but unfortunately it didn’t find its way to my ears until this fall. Their Appalachian roots shine on this simple, understated collection of barebones, mostly percussion-less Americana. Emily Frantz’s voice sounds eerily - gloriously - like Soul Journey-era Gillian Welsh. But the record soars when she and Andrew Marlin harmonize. Nothing is forced, as each note sounds like it’s naturally falling into place on the delicate Such Jubilee.

Stand-out tracks: “Rounder”, “That Wrecking Ball”,  “From Now On”

Grade: A-

Loma Prieta  - Self Portrait; Deathwish Inc.


Deathwish’s seemingly unstoppable hot streak continues with the terrific fifth album from the San Francisco hardcore/punk band, Loma Prieta. Though their most melodic, textually varied work, Loma Prieta maintains its intensity and grit through all of Self Portrait. As that title suggests, the subject matter is ruminative and bleak.  On “Nostalgia” they belt out, “Life is tunneling deeper all the time / So with each year there’s a little less light.” Not the easiest pill to swallow, but reflective of a serious, mature band that have steadily improved for over a decade.

Stand-out tracks: “Nostalgia”, “Love”, “Satellite”

Grade: B

Oneohtrix Point Never - Garden of Delete; Warp Records Limited

Over the years, Daniel Lopatin’s work as Oneohtrix Point Never has consistently challenged, confused, and defied expectations. Find 2013’s R Plus Seven to hear him at his finest. His dense waves of zipping electronics and rattling beats fly in and out of his arrangements, building to an auditory overload that the listener can almost feel creeping under their skin. Garden of Delete bottles Lopatin’s energy at its most anxious points, only to burst out the other side in a blizzard of dizzying digital shrapnel. Yes, this is a difficult listen, but that just makes the reward is all the greater.

Stand-out tracks: “Sticky Drama”, “Mutant Standard”, “Lift”

Grade: B+